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Vol. 4 No. 1 (2025): Voices of Women

Cover (Vol. 4, nr. 1. 2025)
30.10.2025

Full Issue

Fra redaktøren

  • Kjære lesere

    Lise Karin Meling
    3-4
    DOI: https://doi.org/10.31265/qjkaqn54

Artikler

  • Exploring Berta Alves de Sousa's vocal chamber works

    Ana Barros
    6-23
    DOI: https://doi.org/10.31265/4dpn7s31
  • “Always a Delight for the Audience” The Songs of Josephine Lang in Munich’s Musical Life, 1827–1842

    Anna Magdalena Bredenbach
    24-41
    DOI: https://doi.org/10.31265/8cfdjk50
  • Writing Women In

    Briony Cox-Williams
    42-53
    DOI: https://doi.org/10.31265/m6674j26
  • Mirroring Cuzzoni A Practitioner’s Aesthetic Protest

    Victoria Hodgkinson
    54-69
    DOI: https://doi.org/10.31265/nq5mfc20
  • Gender and music in Luxembourg Looking back at 25 years of archival work and music mediation

    Danielle Roster
    70-87
    DOI: https://doi.org/10.31265/btk3ec20
  • Koda and Hayward Background of Female Musicians in the Early 20th Century in Japan and in the UK - Comparing Concert Reviews

    Maho Harada
    88-99
    DOI: https://doi.org/10.31265/fkys8e98
  • ‘Higher Daughters’ – Women Composers in Viennese musical life in 1928

    Judith Kopecky
    100-113
    DOI: https://doi.org/10.31265/tt3q9014
  • Disturbing Jazz Compositional Canons through a Transdisciplinary Improvisational Approach

    Kristin Mcgee
    114-126
    DOI: https://doi.org/10.31265/ar6jdy64
  • Multiply unheard and rendered invisible On the intersectionality of Gerty Landesberger alias Felice Wolmut as an exiled woman in music

    Marie-Anne Kohl
    127-139
    DOI: https://doi.org/10.31265/4h2db448
  • ‘Land of Heart’s Desire’ – Marjory Kennedy-Fraser (1857–1930) and the Songs of the Hebrides

    Per Ahlander
    140-152
    DOI: https://doi.org/10.31265/0r0etb10
  • ‘Delia’s Gone, But I’m Settling the Score’ Gender, Vocal Aesthetics, and the Murder Ballad

    Chanda VanderHart
    153-166
    DOI: https://doi.org/10.31265/63hvab93

PerSpektiv

  • Kjønn versus Skjønn En petit/Per'spektiv av Per Dahl

    Per Dahl
    167-168
    DOI: https://doi.org/10.31265/psmbx174