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Vol. 4 No. 1 (2025): Voices of Women
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Vol. 4 No. 1 (2025): Voices of Women
30.10.2025
Full Issue
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Fra redaktøren
Kjære lesere
Lise Karin Meling
3-4
PDF
DOI:
https://doi.org/10.31265/qjkaqn54
Artikler
Exploring Berta Alves de Sousa's vocal chamber works
Ana Barros
6-23
PDF
DOI:
https://doi.org/10.31265/4dpn7s31
“Always a Delight for the Audience”
The Songs of Josephine Lang in Munich’s Musical Life, 1827–1842
Anna Magdalena Bredenbach
24-41
PDF
DOI:
https://doi.org/10.31265/8cfdjk50
Writing Women In
Briony Cox-Williams
42-53
PDF
DOI:
https://doi.org/10.31265/m6674j26
Mirroring Cuzzoni
A Practitioner’s Aesthetic Protest
Victoria Hodgkinson
54-69
PDF
DOI:
https://doi.org/10.31265/nq5mfc20
Gender and music in Luxembourg
Looking back at 25 years of archival work and music mediation
Danielle Roster
70-87
PDF
DOI:
https://doi.org/10.31265/btk3ec20
Koda and Hayward
Background of Female Musicians in the Early 20th Century in Japan and in the UK - Comparing Concert Reviews
Maho Harada
88-99
PDF
DOI:
https://doi.org/10.31265/fkys8e98
‘Higher Daughters’ – Women Composers in Viennese musical life in 1928
Judith Kopecky
100-113
PDF
DOI:
https://doi.org/10.31265/tt3q9014
Disturbing Jazz Compositional Canons through a Transdisciplinary Improvisational Approach
Kristin Mcgee
114-126
PDF
DOI:
https://doi.org/10.31265/ar6jdy64
Multiply unheard and rendered invisible
On the intersectionality of Gerty Landesberger alias Felice Wolmut as an exiled woman in music
Marie-Anne Kohl
127-139
PDF
DOI:
https://doi.org/10.31265/4h2db448
‘Land of Heart’s Desire’ – Marjory Kennedy-Fraser (1857–1930) and the Songs of the Hebrides
Per Ahlander
140-152
PDF
DOI:
https://doi.org/10.31265/0r0etb10
‘Delia’s Gone, But I’m Settling the Score’
Gender, Vocal Aesthetics, and the Murder Ballad
Chanda VanderHart
153-166
PDF
DOI:
https://doi.org/10.31265/63hvab93
PerSpektiv
Kjønn versus Skjønn
En petit/Per'spektiv av Per Dahl
Per Dahl
167-168
PDF
DOI:
https://doi.org/10.31265/psmbx174
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