Manufacturing and secondary treatment of gold foil figures

Authors

DOI:

https://doi.org/10.31265/7v3jhk61

Keywords:

Image manipulation, Vendel period, chaîne opératoire, cultic practice, central places, Sorte Muld, Uppåkra

Abstract

Gold foil figures form a fairly standardised class of archaeological finds. Their overall production process appears to be fundamentally simple. Nevertheless, there still are many unanswered questions regarding the technique and the timing of the various work steps (chaîne opératoire). This article sheds light on the theoretical options for the fabrication. The focus is on detectable alterations to already finished gold foil figures: for example subsequent manipulations on some pieces, such as the attachment of additional gold strips, which are apparently intended to represent neck rings. Actions like this either belong to the usual and proper usage of gold foil figures in the context of the related cult, or they are evidence of later adaptations of individual gold foil figures, possibly for other religious or even secular practices. Other pieces show various signs of damage such as scratches or puncture marks, some of which appear to have been inflicted deliberately. However, as this kind of manipulation cannot clearly be assigned to a specific time, and considerations about their purpose remain problematic.

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Published

2026-02-04

How to Cite

Manufacturing and secondary treatment of gold foil figures. (2026). AmS-Skrifter, 29, 51-60. https://doi.org/10.31265/7v3jhk61